Before we get started, I’ll let you know now that you have to click the photos to see them larger to really appreciate them (some are cropped differently too, but you won’t see it in the small version).
Okay… onward! A couple weeks ago I spent 4 days in Jackson Hole, WY and the Grand Teton National Park. A couple friends of mine were running a workshop late in the week and my friend Dave Black was going to be out there as well. I’ve been wanting to photograph that area for years. So I figured I’d fly in a few days early with them (so I’d have some shooting buddies rather than go by myself), as they scouted locations.
I was a little nervous, because they’ve had some problems with forest fires. From what I hear, the last two months have been pretty bad. Skies were hazy and smokey. But it rained the day I got there and (again from what I hear), we had some of the best weather they’ve seen in two months. And if you know anything about landscape and outdoor photography, you know it’s all about getting lucky with the weather. You can be as prepared as you want, but if mother-nature doesn’t want to cooperate, then all the preparation in the world ain’t gonna help 🙂
Let’s start off with one of my favorites. This is from as typical a Grand Teton place as you can get, but I love it. It’s a place called Schwabacher Landing. There was a small intimate group of photographers there with me as well. Hmmmmm, maybe 50 or so others all crammed into a small area of shoreline 🙂 All waiting and hoping that mother nature would put on a good show for us. She did. I love how the cloud on the tall peak looks like it’s just getting caught right on the top.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 16-35 lens, f/16, 1/20 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Here’s another near the same area. It’s kinda interesting, but this is one of my personal favorite photos from the trip. It was on my walk back to the car from Schwabacher Landing. I was walking fast because I wanted to get to another location. I happend to turn around and saw this scene. I put my tripod down, took 1 photo and left. Seriously! One photo (well, one bracketed series that is, so it was 5 photos). That’s it. But man am I glad I did! It turned out to be one of my top favs from the trip. I love the blues in the sky and the golden foreground.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 16-35 lens, f/16, 1/10 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Schwabacher landing was great, but really there’s only about 1 photo (maybe 2-3 if you look around) to be had there. So I made it a point to shoot for only the first few minutes of light and get back to my car as soon as possible. I wanted to hit Mormon Row (a historic district of old barns) while there was still some decent light happening. This shot wasn’t totally on my bucket list, which is why I went there second and not first that day. So I didn’t get the great light. But it’s a pretty iconic place if you’re shooting around the Grand Tetons, so I wanted to make sure I stopped by.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 28-300 lens, f/11, 1/125 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Evening shoots are tough in the Grand Tetons. The sun sets behind the mountains so you’re shooting directly into it. With no snow on the mountains yet, there’s very little to distinguish them from anything so they end up looking like big gray masses with absolutely no detail on them. But it was still a really pretty site to see. Here’s one from the Snake River overlook. This first one is right before the sun goes behind the mountain. I liked how the sun back-lit the trees up front and made them almost glow. It’s a pretty pivotal time, because you want to get the sun just as it’s touching the mountain, and you only have a minute or so to do it. So you need to make sure you have your composition all ready to go by then. Shooting it that way, while using an aperture like f/16 or f/22, is what helps give you that sun-star shape that I love in my photos.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 14-24mm lens, f/16, 1/125 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Here’s another one from the Snake River overlook. This one was after the sun went behind the mountains. The foreground get’s pretty flat pretty fast when that happens, but I framed this one up so you could really get a feel for the beautiful sky and pastel colors that started to pop when the sun went behind the mountains. Totally different than the previous one huh? But they were both taken in nearly the same spot.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 14-24mm lens, f/16, 1/20 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
On our way to Snake River overlook to shoot sunset, we turned around in the car and saw this. We immediately pulled over on the side of the road because the God beams didn’t last for long.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 28-300 lens, f/11, 1/8000 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
On my last morning I had to make a choice. I had really wanted to shoot at a place called Oxbow Bend. I’d heard a lot about it and it came highly recommended. But the group that was there with my buddies Jeff, Randy and Dave Black were going to a place called String Lake. So I decided to hitch a ride with ’em and head there. And I’m really glad I did. This is a great location and has about 3 very different photos you can get as the sun rises so you’re not just walking away with one shot.
This one was right before the sun came up. You can start to see just a little light on the mountain in the background. I’m usually a big fan of sunrise or sunset light, but I have to say that, of the group of photos I have from this morning, this pre-dawn photo is my favorite.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 16-35 lens, f/16, 30 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Here’s one after the sun started coming up. I posted about it on the blog the other day. I like the shot, but I just don’t love it. Still, it’s a nice photo from a beautiful morning.
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 16-35 lens, f/11, 1/5 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Right after the sun came up, I shot for about 5 minutes. Then I grabbed my tripod and headed over about 100 yards to another spot. Still pretty much the same location but a little different composition. And of course the sun was rising higher so it’s got a different feel to it too. I thought the rocks lined up really nicely for this one. Actually, if I could do it over again, I may have even chose this spot first to shoot from 🙂
(Click To See It Larger)
(Gear and settings: Nikon D800E, Nikon 16-35 lens, f/16, 1/4 sec, ISO 100, Really Right Stuff TVC-33 Tripod)
Dave Black hired a fly fisherman to change things up a once the light started getting higher. It was a lot of fun to work the action and scenery into the shot all at once.
On my last night there we went lightpainting at the Mormon Barns with Dave Black. I have to tell you – Dave may not have invented lightpainting but he has become the icon of it. I know of nobody else that can do, teach, and make lightpainting photos like Dave. He’s simply amazing. Kelby Training even had a crew out there for a few days recording Dave lighting painting in this exact location so keep an eye out for his class (oh and he’s got other Lightpainting classes on Kelby Training online too).
(Gear and settings: Nikon D800E, Nikon 28-300 lens, f/8, 30 sec, ISO 400, Really Right Stuff TVC-33 Tripod)
And what Friday late night light-painting trip would be complete with an after-trip to The Million Dollar Cowboy Bar in Jackson Hole? Dave Black not only showed up with one cowboy hat, but 3! Seriously, the man travels with 3 cowboy hats ready to go. Here’s a barely-corrected iPhone photo of Randy, Wes Maggio (from Wacom) and me at the bar. We had a blast enjoying the type of cold beverages you’d enjoy at a bar like that along with some dancing (or trying at least) and just hanging out 😉
(Gear: Dave Black’s highly-unlikely-that-we’ll-wear again hats, Coors beer, and iPhone 4S)
I wanted to give a big thanks to my friends Jeff and Randy with The Digital Photo Workshops along with Dave Black. They were a blast to hang out with and they put on an absolute class-act of a workshop. I’d highly recommend it if you have the chance.
Thanks for stopping by. I’ve got a few other things that I’ll follow up on with posts from the trip:
• My experience editing images from the Nikon D800
• Thoughts on the Really Right Stuff TVC-33 Tripod I Borrowed
• Some tips I picked up about using live view
• And lots of other little random stories
I’ll keep you posted. Have a good one! 🙂
This is amazing, to the point I’ve just booked a holiday next September from Australia to the Grand Teton’s and Yellowstone.
I notice you jump between f/11 and f/16 what’s driving your decision between those two apertures?
Cool! You’ll love it.
Driving decision between f/11 and f/16? Depth of Field. More foreground = more depth of field = higher aperture value.
My favorite is the rays!
Really great stuff, Matt. And btw, I like the full mountain reflection better than the crop :).
What I learned from your post: Never turn your back on a great view. (Note To Self: Practice speed-walking backward over uneven rocky terrain…)
Spectacular shots. “God Beams” is awesome.
Really enjoyed reading this post and the other ones. By showing the bad photos, it really helps what is considered unacceptable. Great photos….love it.
Hi Matt. I love all your shots’ especially the second perspective on the river. Since retiring last year I have taken advantage of the time to study photography and shoot to my hearts content. I like ‘watching’ the sunrise. Would you say shooting a sunrise in Tampa is best from Bay shore Blvd.? Since it provides a flat horizon? I like the interaction between the light, clouds and colors.
Love the photos. For the one you said you like but don’t love, I noticed it has a cool graphic property: at least on the right side, the treeline constrasted against the background looks a lot like the representation of a soundwave you’d see in an audio/video editor. Makes me wonder what it’d look like if you tried to enhance that aspect of the photo*.
(*Not intended as a critique, just a different way of looking at it.)
Love the photos!…this looks like a really nice place to shoot and am now putting on my list of place to go. I am curious about a few of the shots where you are shooting into the sun and still have foreground detail in the shadow areas. Is this achieved through graduated ND filters or something in post?..Either way they look great and appreciate the posts.
Post all the way baby! Mostly the Shadows slider. When standing there you can see all of the detail, but my camera just couldn’t.
Matt
That barn shot is mind boggling. (The others aren’t too bad either!)
Onya!
I’m curious how you got the fly fisherman shot. It looks like you used a long exposure to get the smooth effect of the water, but yet you were able to get the person sharp.
Awesome, Matt! I’m heading out there in June and look forward to capturing photos at least half as inspiring as yours! 🙂 I really enjoy everything you do to help improve the art of photography in those who share the same passion!
Very nice photos. I am looking forward to your posts about editing these photos. Do you always do a bracket of 5 shots when you shoot landscapes and pick the best one or are these HDR?
Looking forward to hearing about using the Live View. I love that’ it gives you mirror up and you have a wider range of focus area especially on the outside edges. But I find Nikon’s Live View very frustrating especially in low light – like sun rise/ set.
Great photos . . .
The barn shot is absolutely breathe-taking. Inspired.
Really great shots, love the story line too. How do you intend to deal with the perspective problem when people see them? To appreciate the scope of the landscape when it’s so big you need to be there. I always have a hard time with this and I keep saying “You have to go there and see it yourself, it’s amazing”. It’s like describing how a symphony orchestra sounds while listening to it over the phone. I think the pictures are fabulous.
Just beautiful. Thank you for sharing. These are going in my inspirational bookmark folder.
My favorite was the iphone shot (kidding!) I really love those mountain landscapes! Great work, Matt.
Matt: Awesome photos. Really nice work. The barn is my favorite. Excellent stuff.
Im glad you stayed away from the snowy peaks this time. Awesome shots and post. Thanks Matt!
Great shots with the 28 to 300. I’ve been leery of this lens on my D800 as to whether it lives up to the sensor quality unless stopped down. And if stopped down it won’t be good as a general one lens to take on vacation.
It’s a full frame lens and plenty sharp. The only thing I’ve noticed when shooting moving subjects is that it’s not the fastest-to-focus lens. But for landscapes you don’t have to worry about that which is why it’s always in my bag.
Matt, I love the one of the Snake River Overlook with the sunburst. Some absolutely beautiful shots. Thanks for sharing them, it gets me looking forward to my trip there next year.
Nice shots Matt! My favorite is the Snake River Overlook shot with the sun burst. Superb light and composition. Looks like you hit the good spots with great conditions! Next time you come out we should shoot some less common spots. 🙂
Sounds good man! I’m in!!! 🙂
Love your shots. I have to admit I am a bit envious too 🙂 I had left the day you arrived and was there for a week with terrible haze from the smoke. I went to the same location 3-4 times each and could not get what you were able to capture. It does make you very appreciative thought when things do fall into place.
Thanks 🙂
If it helps any, I’ve been in the same situation. Leaving a place only to see photographer’s photos from the same location a day or two before/after I’ve been there with MUCH better conditions. I have to say we got really lucky. I mean, that one day of rain helped dramatically!
I really like them all. I do get just a tad envious as one who doesn’t have the resources to get to such places. But just a tad. Life is good. 🙂
Hey Matt! Those are some spectacular photos! My fav is the blue light photo of the one you liked but didn’t love. Like you said sunset shots are difficult, but I really like the one with the sun burst. Looks like you had some fantastic weather! You made a good choice not to go to the Oxbow Bend location. There would have been about 500 photographers there.:-) I made that mistake when we were there. Awesome work … thanks for sharing with us!
Dennis
Thanks Dennis!